In Hoi An, in order to understand the village houses we need to put it on the foundation of the characteristics of the Hoi An population community in history, both in terms of socio-economic bases.
This is the foundation that makes a difference in all three functions of the village in Hoi An compared to other villages in the same delta and North Central of Vietnam. Also explore the three large communal houses in Hoi An Ancient Town to learn more about the ancient culture of the people here!
Dinh Tu Le – Cam Nghia Nghia Thuong
In the past, our people in general and Hoi An people in particular have lived the life of the truth. The people of Tu Le village are also like that. When there are risks occur or encountered the sale of semen suspected, unresolved resolution they are standing in front of the abbot to swear, “whoever cheated the whole life will not have rice to eat.”
According to the epitaph, in the winter of 1856, Cam Pho village experienced famine. Some benefactors quickly donated money to help and set up a sickness center, called the Cam Nghia Nghia.
Standing in front of this ancient family is the same salary that has saved many people. An era has come and many generations have gone through. The simple thought of easy to believe now is no longer with the thousands of generations of people.
Xuan Lam village
In the middle of the intersection of Tran Cao Van and Tran Hung Dao in Hoi An, a calm house is located under the shade of leather. According to the contents of the register, the former village of Cam Pho has three hamlets that Xuan Lam is one of them. This village was called Lam Sa after Lam Lam.
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In the past, this area had very few people, after which it gradually expanded to the south. The shrines are of medium size but in it look magnificent, including an old building but now they have been remodeled.
In 1910 the family was inaugurated, but the family was established in 1905.
With folk belief, Xuan Lam family was worshiped quite simple but still full and extremely reasonable in scale is a hamlet. Main posters placed in the middle to worship God, God, do not distinguish each god. Desperate to worship soulless spirit soul. Fiancée is worshiping the past to the hamlet, the first is the gentle, post-opening relief.
Families also have a lot of horizontal sentences to show loyalty to each other at the same time praise the grace of the gods.
Cam Pho has many temples and village shrines, but according to the elders, Xuan Lam family festival is often happier, perhaps because the family is in the heart of the city.
Also in this place, the first days when the Viet Minh army seized the government had propaganda about Communism and Marxism that one of the three speakers is a contemporary boxer: – Mr. Huynh Dac Cong.
Dinh Phong village
According to the researcher and surveyed facts, there is no specific data on the founding year of Dinh Son. But here still exists the gravestone was donated by Lord Nguyen Phuc Chu in 1715 and personally his Majesty’s offerings in the family. At that time, the family is just a small shrine worship god of Tam Vong.
Until about 1800, the village of Phong Nien was established in the territory of the Vung Tau. After that, the shrine Tam Vong was called the Phong Nien communal house and was renovated around before 1822.
In 1944, Son Phong family was born on the basis of embellish Phongnai small family Son Phong Son with higher area. In 1974, the legendary masters Nguyen Van Ba painted the symbol of the doctor.
In 1944, the new house was inaugurated in Son Phong commune. The Son Tay village was built in the same year. Later, the former Son Tay hamlet in Son Pho commune worshiped the royal family to pay tribute to the integration into new village of Son Phong before 1899.
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In 1974, Son Phong was the administrative unit of the village, rebuilt the road by reinforced concrete, roofed with yin and yang, decorated Long, Lan, Quy, Phoenix. The cost for the restoration of this worshiping people is calculated to 1.400.000 currency Saigon at that time. In 2000, 2002, 2008 were three successive rounds of restoration.
At present Son Phong family still retain the five identity that the king gave in 1946. When the French advance to capture Hoi An was in the family and brought these colors to burn, however, the chief of Son Phong village at that time This is just a style to worship not the documents of the Viet Minh so it exists until now.
In addition, there are still two styles of King Thieu Tri in 1843 and a gift of King Tu Duc in 1850.
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